On the “Other Side” of the World of Imagination: An Artis-tic Dialogue Between Radek Knapp and Alfred Kubin
Joanna Małgorzata Banachowicz
jm.banachowicz@gmail.comUniwersytet Wrocławski (Wrocław) (Poland)
https://orcid.org/0000-0003-1421-5689
Abstract
This article examines the connexion between literature and art based on the example of the works of the writer Radek Knapp and the artist Alfred Kubin. Radek Knapp, the Austrian writer of Polish descent, is known as an author of optimistic and funny novels. Alfred Kubin, author of the novel The Other Side, was very appreciated for his illustrations during his lifetime. Many of his drawings are clothed in dark shadow and they are in contrast to the optimistic prose by Knapp. The idea to illustrate the 41 prints by Alfred Kubin with words was born in the Leopold Museum in Vienna. The short story by Radek Knapp, Die Stunde der Geburt / The Hour of Birth (2017) is, on the one hand, an artistic dialogue between writer and painter, and on the other, it becomes an universal story about searching for the meaning in life.
Keywords:
literature, art, Radek Knapp, Alfred Kubin, The Other Side, Leopold Museum, Die Stunde der Geburt / The Hour of BirthReferences
References
Knapp Radek, Podróż do Kalina, przeł. A. Makowiecka-Siudut, Wydawnictwo Sonia Draga, Katowice 2014. Google Scholar
Knapp Radek, Die Stunde der Geburt / The Hour of Birth. Eine Erzählung zu 41 Grafiken von Alfred Kubin / A story based upon 41 graphic works by Alfred Kubin, Deuticke, Wien 2017. Google Scholar
Kubin Alfred, Po tamtej stronie, przeł. A.M. Linke, Wydawnictwo Znak, Kraków 2008. Google Scholar
Gmünder S., Meister der Dämmerung, „Der Standard”, 08.08.2017, s. 20. Google Scholar
Huelle P., Posłowie, [w:] A. Kubin, Po tamtej stronie, przeł. A.M. Linke, Wydawnictwo Znak, Kraków 2008. Google Scholar
Ingarden R., Obraz a dzieło literackie, [w:] Literatura a malarstwo – malarstwo a literatura. Panorama myśli polskiej XX wieku, red. G. Królikiewicz, O. Płaszczewska, I. Puchalska, M. Siwiec, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2009, s. 161–169. Google Scholar
Jarzębski J., Po co Panofsky?, [w:] Literatura a malarstwo – malarstwo a literatura. Panorama myśli polskiej XX wieku, red. G. Królikiewicz, O. Płaszczewska, I. Puchalska, M. Siwiec, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2009, s. 519–527. Google Scholar
Lichański Stefan, Alfred Kubin i jego powieść, [w:] A. Kubin, Po tamtej stronie, przeł. A.M. Linke, Państwowy Instytut Wydawniczy, Warszawa 1968. Google Scholar
Porębski M., Czy metaforę można zobaczyć?, [w:] Literatura a malarstwo – malarstwo a literatura. Panorama myśli polskiej XX wieku, red. G. Królikiewicz, O. Płaszczewska, I. Puchalska, M. Siwiec, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2009, s. 529–542. Google Scholar
Sellner A., Wenn der Autor den Zeichner illustriert, „Österreich” 8.07.2017, s. 39. Google Scholar
Steiner B., Wie melancholisch ist Kubin? Literatur und Kunst, „Die Presse”, 11.07.2017, s. 21. Google Scholar
Waldinger Ingeborg, Leichter als Lem, „Neue Zürcher Zeitung”, 19.06.2013, s. 24. Google Scholar
Waller Dorian, Der Preis der Perfektion, „Der Standard”, 15.09.2012, Beil. Album, s. A10. Google Scholar
Authors
Joanna Małgorzata Banachowiczjm.banachowicz@gmail.com
Uniwersytet Wrocławski (Wrocław) Poland
https://orcid.org/0000-0003-1421-5689
Statistics
Abstract views: 63PDF downloads: 30
Similar Articles
- Marta Wimmer, The anxiety of being erased. On the invisibilisation of non-binary gender identities in Kim de l'Horizon's "Blutbuch" , Transfer. Reception Studies: Vol. 8 (2023): Anxiety and fear in contemporary German-language, Polish and Irish literature
- Nick MEISTER , From Prague to Cracow. A few remarks to the profession of a DAAD lecturer , Transfer. Reception Studies: Vol. 4 (2019)
- Slobodan ŠNAJDER, The treacherous Heart , Transfer. Reception Studies: Vol. 6 (2021): AFFECTS 2 - CONTEMPORARY CULTURE OF EMOTIONS. TRANSFER. TRANSLATION. RECEPTION
- Monika Wolting, Matthias NAWRAT , Enduring Ambiguity: What Is European Literature? Matthias Nawrat in Conversation with Monika Woltig , Transfer. Reception Studies: Vol. 4 (2019)
- Szymon Gębuś, New "milestone" in the canon of contemporary comics research [Review of:] Stephan Packard, Andrea Rauscher, Véronique Sina, Jan-Noël Thon, Lukas R.A. Wilde, Janina Wildfeuer. Comicanalyse. Eine Einführung. Stuttgart: J. B. Metzler Verlag, 2019, 228 pp. , Transfer. Reception Studies: Vol. 7 (2022)
- Tobiasz Janikowski, "Will my tears change anything?” Manifestations of sadness in German music of the 18th century , Transfer. Reception Studies: Vol. 5 (2020)
- Anna Gajdis, Topographies of the Works of Artur Becker , Transfer. Reception Studies: Vol. 4 (2019)
- Adrian Gleń, Between Writing and Silence. On the essays of Herta Müller from the perspective of a Polish reader , Transfer. Reception Studies: Vol. 7 (2022)
- Jan Trna, Crying and laughing as the pillars of criticism of Switzerland in the play Twenty Thousand Pages by Lukas Bärfuss , Transfer. Reception Studies: Vol. 5 (2020)
- Dana Radler, ‘TOUCHED’ BY HUMOUR IN LIFE: CHARACTERS IN JOHN MCGAHERN’S FICTION , Transfer. Reception Studies: Vol. 5 (2020)
<< < 4 5 6 7 8 9 10 11 12 13 > >>
You may also start an advanced similarity search for this article.